门德尔松在这首《交响康塔塔》(Symphony-Cantata)中，更因他对巴赫圣咏曲浓厚兴趣与了解，深获古典主义的神髓，使他在此曲中运用了路德教派的“圣咏”(chorale) 第73首——“我们感谢我们的上帝”(Non Thank we all our God)；还大胆模仿了贝多芬《合唱交响曲》在终乐章加入人声的圣咏形式；虽然此曲知名度不及《意大利交响曲》，本质上也缺乏贝多芬的在《合唱》奏鸣曲中抒情与戏剧的冲突。但他所达到的，却是成功的将一连串的旋律，部分地均衡的展示了出来，优美而动人。此曲共分为交响乐与合唱两部分：计有管弦乐三个乐章；声乐七个乐章。
Dresden amen
From Wikipedia, the free encyclopedia
Dresden AmenThe Dresden amen is a sequence of six notes sung by choirs during church services in the German state of Saxony from at least the beginning of the 19th century. The motif was particularly associated with the city of Dresden, hence it became known as the Dresden amen.
[edit] Composition
The Dresden amen was composed by Johann Gottlieb Naumann (1741-1801) for use in the Court Church in Dresden. Such was its popularity that it spread to other churches in Saxony, both Catholic and Lutheran.
The sequence is significant in Western classical music because it has been used in various forms by composers since the 19th century.
[edit] Use in Classical Music
Felix Mendelssohn used the Dresden amen in his fifth symphony, the "Reformation". In the first movement, the theme appears in the strings:
"Parsifal vor der Gralsburg" - inspired by Richard Wagner's Opera Parsifal - pianted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)The theme was also used by Richard Wagner, most notably in his last opera, Parsifal. Wagner was a Kapellmeister in Dresden from 1842 to 1849, however he would probably have learnt the motif as a boy during his attendance at church in Dresden. It was incorporated into one of his earliest operas Das Liebesverbot, and also appears in the Third Act of Tannhäuser.
Anton Bruckner also uses the Dresden amen in the adagio of his last symphony, the 9th, while Gustav Mahler incorporated it into the fourth movement of his First Symphony and the last movement of his Second Symphony.
Sound versionIn the curious cross-relationship of brass band music and religion that denotes The Salvation Army's unique style of worship, the name of Eric Ball ranks high in the movement's musicology. (He also wrote for non-Army brass bands and is known as the Beethoven of the brass band movement.) In his tone poem The Kingdom Triumphant, a musical picture of the first and second coming of Christ, Ball uses the Dresden amen prior to the presentation of the hymn Helmsley with its assocated words "Lo, He comes with clouds descending".
Retrieved from "http://en.wikipedia.org/wiki/Dresden_amen"作者: 小香可 时间: 2009-6-11 15:19
什么样的段落，发音频资料上来听听嘞~作者: 小香可 时间: 2009-6-11 17:38
Anton Bruckner also uses the Dresden amen in the adagio of his last symphony, the 9th, while Gustav Mahler incorporated it into the fourth movement of his First Symphony and the last movement of his Second Symphony.
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现在知道什么是dresden amen了……布九、马一、马二都找到了……
