标题: Cambridge Companions to Literature [打印本页] 作者: 怀抱花朵的孩子 时间: 2006-7-27 14:21 标题: Cambridge Companions to Literature
Cambridge Companions to Literature
Cambridge Companions are lively, accessible introductions to major writers, artists, philosophers, topics and periods. All are collections of specially commissioned essays, shaped and introduced to appeal to student readers. Together the chapters add up to a systematic critical account of, for example Plato, Luther, Jane Austen, Tom Stoppard or Stravinsky, the French Novel or Jewish American Literature, and each book is supported by reference features such as a chronology and guide to further reading. Companions have colonised several fields within Humanities. The first two titles - Companions to Shakespeare and to Chaucer - were published in 1986. They were commissioned to meet a demand from students who wanted reasonably priced critical books that offered a variety of viewpoints rather than a single, idiosyncratic voice. From those beginnings we now have over 130 titles in Literature, over 60 in Philosophy and plenty more on musical, classical, religious and artistic topics. We have moved beyond single figures to offer Companions to literary and artistic genres and periods, musical instruments, and modern European cultures. Companions are designed not only to offer a comprehensive overview of their chosen topic, but to display and provoke lively and controversial debate.
[ 本帖最后由 怀抱花朵的孩子 于 2006-7-27 02:22 PM 编辑 ]作者: 怀抱花朵的孩子 时间: 2006-7-27 14:26 标题: The Cambridge Companion to English Poetry, Donne to Marvell Companion to English Poetry, Donne to Marvell
English poetry in the first half of the seventeenth century, an outstandingly rich and varied body of verse, can be understood and appreciated more fully when set in its cultural and ideological context. This introductory Companion, consisting of fourteen new introductory essays by scholars of international standing, provides individual studies of Donne, Jonson, Herrick, Herbert, Carew, Suckling, Lovelace, Milton, Crashaw, Vaughan and Marvell, together with general essays on the political, social and religious context, and the relationship of poetry to the mutations and developments of genre and tradition.
Contents
Chronology; Part I. The Context: 1. Politics and religion David Loewenstein; 2. The politics of gender Elaine Hobby; 3. Manuscript, print, and the social history of the lyric Arthur F. Marroti; 4. Genre and tradition Alastair Fowler; 5. Rhetoric Brian Vickers; Part II. Some Poets: 6. John Donne Achsah Guibbory; 7. Ben Jonson Richard Helgerson; 8. Robert Herrick Leah S. Marcus; 9. George Herbert Helen Wilcox; 10. Thomas Carew, Sir John Suckling and Richard Lovelace Thomas N. Corns; 11. John Milton: the early works Michael Wilding; 12. Richard Crashaw Anthony Low; 13. Henry Vaughan Jonathan Post; 14. Andrew Marvell Donald M. Friedman.
Reviews
"Anticipate not your usual dry tome, but a collection determined to make it easier to read English poetry of the first part of the 17th century....Enjoy a discourse on rhetoric, with numerous quotes from writers of the times; or consider an in-depth analysis of John Donne; it's easy to browse." Bookwatch
"...superbly envisioned and carried out in fresh, important, useful essays....There is no bad work here: All the individual studies have value as 'companions' to new readers of the poetry, yet are sophisticated and critically shrewd inquiries....No other current volume does the work of this one." Choice
"Although each of the essays is self-contained and written without reference to others in the collection, they form, when read together, a very satisfying whole. The sophisticated level of the critical discourse of the essays, as well as the authoritative scholarship that informs them, goes well beyond one's usual expectations for such collections." John R. Roberts, Seventeenth-Century News
"...one of the signal virtues of this fine collection is its expert blend of traditional and novel approaches. The entire collection attests at once to the interpretive power of a currently unfashionable mode of criticism that pays attention to genre and provides cogency to the current emphasis on the material transmission of books and manuscripts. One emerges from the collection not with the sense of the enormous distance separating new and old approaches but rather with a refreshing picture of the contiguity of new and old....A fine introduction to the field for ambitious undergraduates and beginning graduate students, it contains more than enough novelty to sustain the interest of specialists." Michael Schoenfeldt, Renaissance Quarterly
